Fallbrook Art Center welcomed a strong and engaged audience on Saturday, May 2, from 4–6 PM for the opening reception of the Sustainable Creations Exhibition, curated by Renée Richetts. The evening marked a vibrant start to the exhibition, with a steady stream of visitors moving through the galleries and engaging deeply with the work on …
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Sustainable Creations Exhibition Opens Saturday, May 2, at Fallbrook Art CenterJulia S Rasor presents a compelling body of upcycled sculptural work featured in the Sustainable Creations Exhibition at the Fallbrook Art Center. Curated by Renée Richetts, San Diego County Arts and Culture Commissioner, the exhibition highlights artists working with sustainable and reclaimed materials, positioning environmental responsibility as both process …
Julia S Rasor exhibits two orange Haute Couture metal-mesh sculptures at the Green Go Fashion Show, on May 9th from 1:00 pm to 4:00 pm at the Janice Griffiths Gallery, located at the Fallbrook Art Center, during Mother’s Day weekend. Curated by San Diego County Arts and Culture Commissioner, Renée Richetts, celebrate sustainable fashion for a greener Mother …
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March 19 – 22, 2026 Julia S Rasor will exhibit a curated selection of sculptures at Booth B4 during Scottsdale Art Week, March 19–22, 2026, presented by María Elena Kravetz Gallery. Julia will be presenting a thoughtful selection of bronze and mixed-media sculptures, along with limited-edition editions designed for personal spaces and fashion expression. Fallbrook, …
Beyond the studio, Julia S Rasor tends a working avocado and fruit grove, extending her relationship with land, season, and cultivation. From January through May, she offers home-grown Fallbrook Hass avocados in bulk 50-pound boxes, grown without pesticides. As the seasons shift, limited quantities of Reed and Topa-Topa avocados become available, along with pink grapefruit, …
Sculpture resists the flatness of the digital screen. Unlike painting or photography, it’s not an image but a physical presence — defined by weight, scale, and the changing shadow of the sun. A great photograph can document the sculpture’s proportion. Still, it stumbles in conveying the subtle tension of balance, the depth of texture, or …
When considering Marcel Duchamp’s 1912 painting Nude Descending a Staircase, No. 2, we see a radical rethinking of the human figure — not as a static anatomical study, but as a sequence of movement unfolding across space. By merging Cubist fragmentation with Futurist dynamism, Duchamp dissolved the body into rhythmic planes, suggesting both masculine and …