March 19 – 22, 2026 Julia S Rasor will exhibit a curated selection of sculptures at Booth B4 during Scottsdale Art Week, March 19–22, 2026, presented by María Elena Kravetz Gallery. Julia will be presenting a thoughtful selection of bronze and mixed-media sculptures, along with limited-edition editions designed for personal spaces and fashion expression. Fallbrook, …
Beyond the studio, Julia S Rasor tends a working avocado and fruit grove, extending her relationship with land, season, and cultivation. From January through May, she offers home-grown Fallbrook Hass avocados in bulk 50-pound boxes, grown without pesticides. As the seasons shift, limited quantities of Reed and Topa-Topa avocados become available, along with pink grapefruit, …
Sculpture resists the flatness of the digital screen. Unlike painting or photography, it’s not an image but a physical presence — defined by weight, scale, and the changing shadow of the sun. A great photograph can document the sculpture’s proportion. Still, it stumbles in conveying the subtle tension of balance, the depth of texture, or …
When viewed through the lens of art history, the self-taught, Fallbrook, California–raised sculptor Julia S Rasor echoes Umberto Boccioni’s form-making freedom. His 1913 masterpiece, “Unique Forms of Continuity in Space,” embodies the Futurist ambition to express energy in motion—with muscular planes dissolving into the surrounding space. Julia S Rasor’s bronze figures similarly fuse geometry and …
When considering Marcel Duchamp’s 1912 painting Nude Descending a Staircase, No. 2, we see a radical rethinking of the human figure — not as a static anatomical study, but as a sequence of movement unfolding across space. By merging Cubist fragmentation with Futurist dynamism, Duchamp dissolved the body into rhythmic planes, suggesting both masculine and …
Sculpture has often been described as “drawing in space,” a practice in which line escapes the page and becomes a dimensional form. In the hands of artists like Louise Nevelson, Isamu Noguchi, and Alberto Giacometti, the human figure was reimagined through touch — forged by fingers, assembled from earthen materials, and liberated from strict classical …